The undoings  2025

steel, porcelain

“I am less interested in what things mean than in what they awaken in the viewer. I want to express honesty over coherence and intimacy over perfection.

The plinth – pedestal of certainty and patriarchal power, monuments of control and traditionally a site of deference  and elevation now becomes a site of risk. empty husk, an abandoned nest, lifeless bone marrow. The sculptures speak of potential collapse. Collapse as sacred initiation. A spell to unsettle the audience just enough to awaken perception, an act of truth-telling. It speaks in forms that bypass intellect and enter the body. It remembers what the rational mind forgets. It does not offer comfort. From truth, regeneration begins.

In a world that extracts, exploits, and discards, my practice is an act of refusal. I refuse to forget where things come from. I refuse the illusion of separation between human and nature, art and life, object and origin. The systems that devalue soil, seed, and body are the same systems that erase care, culture, and collective memory. To make art in this time is to choose to remember. To remember that we are nature. That we belong. And that we are responsible—for what we take, what we touch, and what we leave behind.”